Tag Archives: Wes Anderson

Golden Globe Awards 2015 Nominees and Winners (Update)

golden-globes-logo

It’s that time of year again. Award season. The one time of year we get to celebrate films by awarding them with self glorifying statues. To me this is my Super Bowl. I like to be able to predict the winner and see how many I can get right. Lately it has been easier than usual. The award shows stick with the safe bets instead of awarding what is truly great. For the most part they are all good movies but sometimes the less inspired choice wins.

I’m going to keep things short. I will list the nominees, who I think will win, and the eventual winners. Easier said then done. My predictions will be bolded BLACK while the winners will be bolded RED

Best Motion Picture – Drama

Boyhood – Directed by Richard Linklater
Foxcatcher – Directed by Bennett Miller
The Imitation Game – Directed by Morten Tyldum
Selma – Directed by Ava DuVernay
The Theory of Everything – Directed by James Marsh

Best Motion Picture – Comedy or Musical

Birdman – Directed by Alejandro Gonzalez Inarritu 
The Grand Budapest Hotel – Directed by Wes Anderson
Into the Woods – Directed by Rob Marshall
Pride – Directed by Matthew Warts
St. Vincent – Directed by Theodore Melfi

Best Actor in a Motion Picture – Drama

Steve Carell – Foxcatcher
Benedict Cumberbatch – The Imitation Game
Jake Gyllenhaal – Nightcrawler
David Oyelowo – Selma
Eddie Redmayne – The Theory of Everything

Best Actress in a Motion Picture- Drama

Jennifer Aniston – Cake
Felicity Jones – The Theory of Everything
Julianne Moore – Still Alice
Rosamund Pike – Gone Girl
Reese Witherspoon – Wild

Best Actor in a Motion Picture- Comedy or Musical

Ralph Fiennes – The Grand Budapest Hotel
Michael Keaton – Birdman
Bill Murray – St. Vincent
Joaquin Phoenix – Inherent Vice
Christoph Waltz – Big Eyes

Best Actress in a Motion Picture- Comedy or Musical

Amy Adams – Big Eyes
Emily Blunt – Into the Woods
Helen Mirren – The Hundred Foot Journey
Julianne Moore – Maps to the Stars
Quvenzhané Wallis – Annie

Best Director

Wes Anderson The Grand Budapest Hotel
David FincherGone Girl
Ava DuVernaySelma
Alejandro Gonzalez InarrituBirdman
Richard LinklaterBoyhood

Best Supporting Actor in a Motion Picture

Robert Duvall – The Judge
Ethan Hawke – Boyhood
Edward Norton – Birdman
Mark Ruffalo – Foxcatcher
J.K. SimmonsWhiplash

Best Supporting Actress in a Motion Picture

Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Keira Knightley – The Imitation Game
Emma Stone – Birdman
Meryl Streep – Into the Woods

Best Screenplay

Wes AndersonThe Grand Budapest Hotel
Gillian FlynnGone Girl
Alejandro Gonzalez InarrituBirdman
Richard LinklaterBoyhood
Graham MooreThe Imitation Game

Best Animated Feature

Big Hero 6
The Book of Life
Boxtrolls
How to Train Your Dragon 2
The Lego Movie

Best Foreign Film

Force Majeure (Turist), Sweden
Gett: The Trial of Viviane Amsalem Gett, Israel
Ida, Poland/Denmark
Leviathan, Russia
Tangerines (Mandariinid), Estonia

Best Original Song – Motion Picture

Big EyesBig Eyes (Lana Del Ray)
Glory – Selma (John Legend, Common)
Mercy Is – Noah (Patti Smith, Lenny Kaye)
Opportunity – Annie (Greg Kurstin, Sia Furler, Will Gluck)
Yellow Flicker Beat – Hunger Games, Mockingjay Part 1 (Lorde)

Best Original Score – Motion Picture

Alexandre Desplat – The Imitation Game
Johann Johannsson – The Theory of Everything
Trent Reznor, Atticus Ross – Gone Girl
Antonio Sanchez – Birdman
Hans Zimmer – Interstellar

Best TV Drama

The Affair
Downton Abbey
Game of Thrones
The Good Wife
House of Cards

Best Actor – TV Drama

Clive Owen – The Knick
Liev Schreiber – Ray Donovan
Kevin Spacey – House of Cards
James Spader – The Blacklist
Dominic West – The Affair

Best Actress – TV Drama

Claire Danes – Homeland
Viola Davis – How to Get Away with Murder
Julianna Margulies – The Good Wife
Ruth Wilson – The Affair
Robin Wright – House of Cards

Best TV Miniseries or Movie

Fargo
The Missing
True Detective
The Normal Heart
Olive Kitteridge

Best Actor – TV Miniseries or Movie

Martin Freeman – Fargo
Woody Harrelson – True Detective
Matthew McConaughey – True Detective
Mark Ruffalo – The Normal Heart
Billy Bob Thornton – Fargo

Best Actress – TV Miniseries or Movie

Maggie Gyllenhaal – The Honorable Woman
Jessica Lange – American Horror Story: Freak Show
Frances McDormand – Olive Kitteridge
Frances O’Connor – The Missing
Alison Tolman – Fargo

Best TV Comedy

Girls
Jane the Virgin
Orange Is the New Black
Silicon Valley
Transparent

Best Actor – TV Comedy

Don Cheadle – House of Lies
Ricky Gervais – Derek
Jeffrey Tambor – Transparent
Louis C.K. – Louie
William H. Macy – Shameless

Best Actress – TV Comedy

Lena Dunham – Girls
Edie Falco – Nurse Jackie
Gina Rodriguez – Jane the Virgin
Julia Louis Dreyfus – Veep
Taylor Schilling – Orange Is the New Black

Best Supporting Actor – Series, Miniseries, or TV movie

Matt Bomer – The Normal Heart
Alan Cumming – The Good Wife
Colin Hanks – Fargo
Bill Murray – Olive Kitteridge
Jon Voight – Ray Donovan

Best Supporting Actress – Series, Miniseries, or TV movie

Uzo Aduba – Orange Is the New Black
Kathy Bates – American Horror Story: Freak Show
Joanne Froggatt – Downton Abbey
Allison Janney – Mom
Michelle Monaghan – True Detective

 

Wes Anderson, A Whimsical and Unique Auteur

Wes-Anderson At first I wasn’t a fan of Wes Anderson’s filmography. I was young and I never understood the characters or the humor. Now that I have grown up, and I’ve evolved past the stage of like terrible movies. Anderson has cemented himself as a true auteur. In the beginning, with films such as Bottle Rocket and Rushmore, his films were muted and didn’t really contain all the tropes that a typical Wes Anderson film contains. The Royal Tennebaums is the film that I consider to be the beginning of the Wes Anderson that we know and love today.

Bottle Rocket/Rushmore Era

Independent comedies become a staple for the up and coming directors. With Bottle Rocket it gained the attention of critics but not so much with film goers. It was basically dead on arrive. It began  as a short film that gained a lot of traction at Sundance and it had everyone raving. He collaborated with his friend and writing partner Owen Wilson to pen a feature-length version of their popular short film. It contained his trademark sense of humor and had a unique story but it never really succeeds outside of the final act. To me it is his most problematic films. In the end Bottle Rocket can be considered a failure but it never stopped Anderson from moving along with his career.

Rushmore is really were his career took off. It is when his movies starting to become a kind of heightened reality. Owen Wilson and Wes Anderson used Roald Dahl’s kids book as inspiration for their tale of child angst within a prep school. Bill Murray ended up reading the script and liked it so much that he agreed to work on scale, which was estimated to around $9,000. The movie was able to capture what it is like to be a kid in a challenging environment. It is a smaller scale compared to his later films but his style started to pick up from here. The tracking shots that he is known for began here with a scene that involves the groundbreaking of an aquarium. The camera movement follows Max as he shows off his ideas for a new aquarium. It is the beginning of one Anderson’s most well-known trademark. Rushmore failed at the box office but managed to surprise critics and film goers alike.

The Royal Tennebaums through Darjeeling Limited

The Royal Tennebaums is when style becomes overloaded. Almost every frame in Tennebaums is symmetrical and well produced. This movie deals with a former famous family deals with their father, who is trying to enter back into their lives, and their fading popularity. To me this is the most cynical work that Wes Anderson has produced. Everyone is so hateful and every character has a problem with someone. Even though the movie is hateful the design and mise en scène of each scene is so well crafted and colorful that it kinda contradicts the storyline. This is also the movie in which is love for symmetry becomes apparent. All the time the characters are centered in the frame. So far this is considered his most popular film, gaining him an Academy Award Nomination and box office success.

Following The Royal Tennebaums, The Life Aquatic with Steve Zissou and The Darjeeling Limited. Both were considered failures compared to his other films. The Life Aquatic with Steve Zissou follows similar tropes and had the same flare that is associated with his films but critics didn’t seem to like what they say. It failed at the box office and is currently Wes Anderson’s worst reviewed film. The Darjeeling Limited didn’t do any better. It is his most experimental film to date. He took his unique filming technique to India and used it to represent the style and life in a foreign country. Dealing with a similar storyline to The Royal Tennebaums, it still didn’t impress critics or audiences.

Fantastic Mr. Fox and Beyond

Fantastic Mr. Fox is the first animated film by Wes Anderson. It is a tale about a Fox that has to navigate life while a group of outraged farmers hunt him down. Given that Wes Anderson and Owen Wilson planned to do Rushmore as heightened reality based of a Roald Dahl book it’s quite ironic that Anderson eventually adapted one of his books. Given the failures of both The Darjeeling Limited and The Life Aquatic of Steve Zissou, a lot road on the success of Fantastic Mr. Fox. It ended up paying off. He used he trademark style and create an interesting take on animated films. It appears that Wes Anderson’s style is perfectly suited for animated feature films. Critics loved it and so did the audience and it eventually getting nominated for Best Animated Feature at the 2009 Academy Awards but lost to Up.

He followed up Fantastic Mr. Fox with his most critically acclaimed movie to date, Moonrise Kingdom. It brought him back to the time where he brought to life stores of children and there views on a world in which they are too young to know. His visual style is used to accomplish a child like tale of wonder and fascination. It debuted in the Cannes Film Festival in 2012 and went on to get him his third Oscar nomination and box office success.

His most recent release is now his biggest box office success and critically acclaimed movie. The Grand Budapest Hotel is his most stylized film. The production of each set is simply incredible and uses his love of hand drawn set pieces and miniatures as the set design. Ralph Fiennes simply chews the scenery as Gustave H. and is by far the most interesting character in his filmography. It spans multiple decades and is most interesting when he switches through time periods. To represents it he switches up aspect ratios for the respective decade. Wes Anderson achieves the best result with this movie and shows that no matter the story if directed by Wes Anderson you sure to have an interesting movie on your hands.

Though Wes Anderson has some movies that aren’t well received he has become a household name and a true to life auteur.