Directed by: Richard Ayoade
Richard Ayoade managed to surprise me with his directorial debut Submarine, so naturally I was excited to see what else he could do as a director. Submarine appealed to me based on my love of Wes Anderson, he is clearly had an influence on this film and it can tell. Although I couldn’t get it out of my mind while watching it, I still found a lot to like about the movie. Now The Double feels like another directors work, Terry Gilliam. Throughout the movie I noticed the parallels it had to movies like Brazil and 12 Monkeys. This really made me realize that Richard Ayoade is seriously lacking a style of his own. His movies feel anything but his own. He may be able to direct his actors well and control the camera well but he seriously needs to develop his own style of filmmaking instead of purely homaging other directors work.
Simon James (Jesse Eisenberg) sits alone in a completely deserted subway car. He clenches his briefcase to his chest and waiting to arrive at work. An unknown man approaches him and tells him that he is sitting in his seat. Simon looks around and eventually he moves for the man. This shows us just how timid he is and really shows the audience the kind of person he truly is. Even if there is other empty seats on the train he lacks the courage to tell the man to sit somewhere else. He arrives at work only to get his briefcase stuck in the doors of the train causing him to lose it. He arrives at his work only to get declined access. He can’t help but messing up. He goes unnoticed by his peers and the girl he is infatuated with. We get a good sense of who he is in a span of 10 minutes and that’s one of the film’s strengths.
We soon meet the girl of Simon’s affection, Hannah (Mia Wasikowska), a lonely girl who works in the copy room. He always goes to visit the copy room but never has the courage to ask her out. It is not till a night when a man kills himself in the courtyard in the apartment complex that Hannah and Simon share. Distraught the two end up having dinner together and start to realize that they have a lot in common. A few days later we are introduced to James Simon (Jesse Eisenberg) a lookalike of Simon James who begins working at his job. Not long later he begins to usurp Simon and becoming a formidable force at his job and soon the same thing begins to happen to his life. He begins to go down the dark path of not knowing the difference between reality and what is in his head.
I really enjoy what Richard Ayoade brought to the screen with The Double and even more so with Submarine. The biggest problem with The Double is the story. Based on Fyodor Dostoyevsky’s short “The Double” it tells the story of two doppelgängers battling it out in dystopian like future, which isn’t quite explained. Nothing is truly compelling about the story itself. It was a rather repetitive shallow story about a man losing his life to a “different” person. Simon would interact with James pleasantly in one scene and in the next he is at his throat, it is just a repeat of the same formula. This happens throughout the entire movie, up to the very expected ending that shows just how unimaginative the story actually is. There is not true depth to the story at hand and if you really want to look into it the entire movie is revealed within the first 20 minutes. With Enemy it left it a mystery while on the other hand The Double gives you too much information.
Some believe this to be a comedy, just like Calvary, but I don’t think I found a single humorous moment. I’m not sure why it is being claimed as one but if that is what people are taking away from this movie that it is fine.
Were the story lacks the technical side of the film is amazing. Even though Jesse Eisenberg is able to convincingly play two different characters. He is both timid and mesmerizing. Richard Ayoade is very competent when it comes to directing actors, I don’t think there was a single dull performance. Given that Ayoade is also a very good comedian and I think it helps his directing and the talent that he brings behind the camera.
Even if I feel that the style of the movie is not his own I do still like the style that was brought to the film. The sense of dread and melancholy is shown very well with the sets and cinematography. One of the highlights of the film is the style. Brazil was a heavy influence on the film stylistically and did add to the film. I only wish that Ayoade would pick a certain style and stick with it.
Though it appears that I don’t like the movie that much given the content of the review I did actually enjoy myself watching it. It has its fair share of problems and I feel the hype for this movie really doesn’t pay off in the end.